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The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists�today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world.

Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features.

Richly illustrated with the work of preeminent masters such as Millet, G�ricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.

• Sales Rank: #75551 in Books
• Published on: 2010-03-09
• Released on: 2010-03-09
• Original language: English
• Number of items: 1
• Dimensions: 11.37" h x .82" w x 9.35" l, 2.59 pounds
• Binding: Hardcover
• 208 pages

About the Author
SUZANNE BROOKER received her BFA at the California Institute of the Arts in 1979, attended by invitation the Whitney Museum Independent Study program in New York, and pursued her drawing and painting studies at the School of Visual Arts. Brooker has taught drawing and painting at the Gage Academy of Art in Seattle, Washington since1999.

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120 of 134 people found the following review helpful.
Decent enough on portrait techniques.
By Tom Kosmo
This book contains some valuable information and tips on this difficult topic. The skin tone colour mixing part is especially helpful, and the illustrations are informative and high quality. I really like the way it goes into detail on different elements of the face, on application of paint and on toned grounds. Nevertheless, this book suffers from the same problem as all of them do. The step by step demonstrations are all made by the author/artist himself. This results in a lot of demonstrations basically using the same approach in different variations. I would really like to see a book of this kind with demonstrations by different artists, displaying different approaches and techniques! If you are very interested in glazing techniques, this should really satisfy you, since all the demonstrations involve a lot of glazing. That beeing said, the book actually includes a mini-demonstration by another artist with a different approach.

All in all a great book for the intermediate painter who wants to learn more about depicting the human form.

82 of 90 people found the following review helpful.
Good overview of technique
By Trader100
The author presents a coherent approach to painting in traditional "Old Master" style. To absorb the wealth of
valuable information takes several readings, as well as working through the exercises and much practice. Techniqes
are clearly described.
There are some impressive examples of painted portraits -- but not by the author. The step by step demos she herself
does are not inspiring and result in stiff, "tight", uninteresting images.
This book will be most useful to painters who have some experience and have already encountered the technical issues the author describes. Beginners will probably find it overwhelming.
Incidentally, the author's mentor Domenic Cretara, who supplies the introduction, is a modern master in his own
right, and his work is well worth looking up online.

41 of 44 people found the following review helpful.
Big disappointment
By Napa Artist
This book doesn't quite live up to other "Atelier" books by Watson-Guptill. it presents a rather timid approach to portraiture (glaze here, scumble there...). On top of that, some of the technical information is inaccurate: "flesh ochre" is NOT a pigment (page 39) -- it is a hue; "ASTM D-4236" is NOT a "color code" (page 41) but rather the labeling standard for potential health hazards in art materials; "PR101" is the color index designation for synthetic red earth pigments, not its "chemical description"; "rosso veneto", "pozzuoli red" and "terra rosa" are NOT "core red earth pigments" (page 54) -- these are variations in hues of the same pigment class (red iron oxide pigments, either PR101 or PR102) which can vary from brand to brand!; the author also states that "a well-balanced selection of glazing pigments would include lapis lazuli" (page 40) which is such bad advice because lapis lazuli in oil paint form is rarely available and prohibitively expensive. Of course, she fails to mention that ultramarine blue (PB29) is a synthetic and far cheaper alternative to it. Although there is a section entitled "the nature of pigments" (page 39), the author does not discuss or explain color indexes -- the standard and critical pigment information that is used by almost all artists' paint manufacturers today on their paint tube labels. The author (on page 150, etc.) misuses the term "scumble" (which is to apply a thin layer of lighter, more opaque color over a darker color) when she actually meant "glaze" (application of a thin layer of darker, more transparent paint over a lighter color)... AND THE LIST GOES ON. These technical inaccuracies aside, the step-by-step demonstrations are also such disappointing specimens. I would not recommend this book.

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Put your wooded land to work! This comprehensive manual shows you how to use your woodlands to produce everything from wine and mushrooms to firewood and livestock feed. You’ll learn how to take stock of your woods; use axes, bow saws, chainsaws, and other key tools; create pasture and silvopasture for livestock; prune and coppice trees to make fuel, fodder, and furniture; build living fencing and shelters for animals; grow fruit trees and berries in a woodland orchard; make syrup from birch, walnut, or boxelder trees; and much more. Whether your property is entirely or only partly wooded, this is the guide you need to make the best use of it.

• Sales Rank: #68101 in Books
• Published on: 2015-06-30
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x .70" w x 8.00" l, .0 pounds
• Binding: Paperback
• 240 pages

Review
“When you start reading The Woodland Homestead, you’ll learn how to think about your woodland not only as an ecosystem but also as an ‘ecology of possibilities’.”
— from the foreword by Philip Ackerman-Leist

“A friendly and informative book about a subject that intimidates many folks new to homesteading. McLeod makes a walk in the woods a whole new world.”
— Jenna Woginrich, author of One-Woman Farm, Barnheart, and Chick Days

From the Back Cover
A wooded property -- even just a small one -- is full of possibilities for sustainable use. Whether your goal is to grow food, harvest wood, or support livestock, forester and homesteader Brett McLeod has the knowledge, tools, and techniques you need to get the most out of your land.�You'll learn how to take stock of the forest makeup, use different axes and saws, prune and coppice trees, grow fruit and berries, build living fences, and much more. Along the way, you'll read the stories of other homesteaders who, through innovation and resourcefulness, have realized their dreams of a bountiful woodland home.

About the Author
Brett McLeod is an Associate Professor of Forestry and Natural Resources at Paul Smith’s College in upstate New York. Inspired by other creative farmers and foresters, McLeod’s 25-acre draft-horse–powered mountain homestead serves as a living laboratory for self-sufficiency. McLeod is also a professional lumberjack competitor and a former producer of the Stihl Ironjack Series and Stihl Timbersports Series. He coaches the Paul Smith’s Woodsmen’s team and founded the Adirondack Woodsmen’s School and the Adirondack Rural Skills and Homesteading Festival. He lives in Vermontville, New York.

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27 of 27 people found the following review helpful.
It was good enough to make me reconsider my homesteading location!
By The Mrs.
I received this book at the start of the weekend and had it finished within a few hours. It's a fast read and I was able to make it through 95% of the book within 3 "nap time" periods with ease. Overall I think it's a great book.

There was roughly 5-7% that I thumbed through as it didn't offer me much use at the moment, or interest for that matter. We are currently in the 'burbs' still adjusting to life in a new region of the country. Once established, we are looking to begin rural homesteading within the next 15-36 months. Because of this, while some sections will prove useful in time, right now, it's lost on me. Really, it was mostly chapter 2 that I didn't read in depth. A few paragraphs here and there, but that's it. In this chapter it talks about tools and techniques needed and used on a woodland homestead, building your home from scratch from cord wood, building your own tools, using portable saw mills, etc.

The remaining chapters gave me some much needed food for thought. Until reading this book, I have been unable to find sufficient resources that detail how to establish a homestead in the woods. Everything from raising animals, beekeeping, orchards, gardens, etc! I have been trying to find a location that offered enough woods yet enough cleared but has untainted soil and ground water from surrounding industry and ag. Finding this book gave me new things to consider and has opened my eyes to the possibility of "taking to the woods", successfully. In our new home region, woodland lots are available often and usually better priced than semi-cleared lots. If I hadn't read this book, I would continue to overlook the benefits of woodland homesteads.

You will find information in here on how to "prune" and harvest firewood from living trees to allow regeneration from existing root stock. I had no idea that could be done! How to introduce livestock to weeds and bramble on your land and get them to begin to prefer these forms of fodder over traditional hay/feed options; allowing up to 25-30% reduction in purchased feed. Again, that's because most in woodland settings wouldn't have the cleared space to turn animals out onto traditional pastures. It gives information about breeds of various animals from chickens, turkey, sheep, cattle, etc that you can consider for a woodland homestead- how they adapt to the climate, fodder, foraging ability, etc. It gives instruction on how to clear a section to literally have an orchard in the middle of the woods. How to integrate vegetables and fruiting bushes into the orchard, and basic orcharding advice. You could take this same advice and use it for a large veggie patch if you were not so interested in orcharding.

The author is a fan of community and the community as a "resource". He talks about basic info on how to get neighbors and the community to help you and visa versa for free or bartering. This is something other homesteading books cover as well, but he shows how he did it with orcharding, etc. You'll get handy advice about how to use pigs to remove stumps, how to use all of your animals as a tiller and weed management system, How to use horses and oxen to pull the heavy loads, building the tools to pull the loads, how to build/graft living fences, grafting trees, how to grow in old stumps, look at trees and know if it's disease or woodpecker damage, survey your trees that would pass the grade for lumber, firewood, as well as furniture-grade wood, sugaring, etc. You'll even get a section about basket weaving with some types of "wood" found in some regions of the country (His region- Upstate NY).

Although I'm now in the Deep South, I found so many useful tips, techniques, and factoids to help when considering which property we will buy. It was a fast read, knowledgeable read, and in depth enough to get you started in the right direction. There are some things that I'll investigate further but it is nice having strong basics in once place at my fingertips!

15 of 15 people found the following review helpful.
Great overview for beginners and experienced homesteaders alike. It makes a nice gift and is refreshing to read for new ideas.
By Jerry Homesteader
This is an easy and fast book to read even though the topics it covers are often complex. I have been a homesteader in Vermont for over 40 years and I still learned new things like how to figure the height of a tree so that I can decide if it will fall on my house or other objects before cutting it down. I wish I had had this a few times in the past! Great tips on splitting wood with nice explanations about different woods, their uses and characteristics. Great information on the care and use of tools including sharpening and safety. I will be giving this book to my nephew who has a small wood lot in the Berkshires. I do not eat or keep animals due to my plant based diet, but even without those chapters I found the book worth having for all its other uses. It is also nicely illustrated and environmentally sensitive. Read it even if you are not a homesteader or forester as it will make you more aware and able to live more simply without having to rely on the marketplace or on others.

9 of 9 people found the following review helpful.
Finally a homesteading book with fresh content
By Farmer Boy
Well written and wonderfully illustrated. So many homesteading books have the same basic information- this book really feels really fresh and offers a new look at homesteading; it's full of great tips,homemade contraptions, and short case studies. It made me think differently about how I could use integrate our patch of woods on our small homestead to grow food and forage. Awesome read.

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• Sales Rank: #18527034 in Books
• Published on: 2000-04
• Original language: Spanish
• Number of items: 1
• Binding: Paperback
• 216 pages

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The need of video compression in the modern age of visual communication cannot be over-emphasized. This monograph will provide useful information to the postgraduate students and researchers who wish to work in the domain of VLSI design for video processing applications. In this book, one can find an in-depth discussion of several motion estimation algorithms and their VLSI implementation as conceived and developed by the authors. It records an account of research done involving fast three step search, successive elimination, one-bit transformation and its effective combination with diamond search and dynamic pixel truncation techniques. Two appendices provide a number of instances of proof of concept through Matlab and Verilog program segments. In this aspect, the book can be considered as first of its kind. The architectures have been developed with an eye to their applicability in everyday low-power handheld appliances including video camcorders and smartphones.

• Sales Rank: #3861216 in Books
• Published on: 2015-01-13
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .44" w x 6.14" l, .0 pounds
• Binding: Hardcover
• 157 pages

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[E129.Ebook] Download PDF Clinical Management of Articulatory and Phonologic Disorders (2nd ed)From Williams & Wilkins

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• Sales Rank: #15866413 in Books
• Published on: 1987
• Binding: Unknown Binding

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[H577.Ebook] PDF Download The Dirt on Clean: An Unsanitized History, by Katherine Ashenburg

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The question of cleanliness is one every age and culture has answered with confidence. For the first-century Roman, being clean meant a two-hour soak in baths of various temperatures, scraping the body with a miniature rake, and a final application of oil. For the aristocratic Frenchman in the seventeenth century, it meant changing your shirt once a day and perhaps going so far as to dip your hands in some water. Did Napoleon know something we didn't when he wrote Josephine "I will return in five days. Stop washing"? And why is the German term Warmduscher--a man who washes in warm or hot water--invariably a slight
against his masculinity? Katherine Ashenburg takes on such fascinating questions as these in Clean, her charming tour of attitudes to hygiene through time.

What could be more routine than taking up soap and water and washing yourself? And yet cleanliness, or the lack of it, is intimately connected to ideas as large as spirituality and sexuality, and historical events that include plagues, the Civil War, and the discovery of germs. An engrossing fusion of erudition and anecdote, Clean considers the bizarre prescriptions of history'sdoctors, the hygienic peccadilloes of great authors, and the historic twists and turns that have brought us to a place Ashenburg considers hedonistic yet oversanitized.

• Published on: 2007-11-13
• Released on: 2007-11-13
• Format: Bargain Price
• Number of items: 1
• Dimensions: 8.83" h x 1.41" w x 6.21" l,
• Binding: Hardcover
• 368 pages

From Publishers Weekly
According to Ashenburg (The Mourner's Dance), the Western notion of cleanliness is a complex cultural creation that is constantly evolving, from Homer's well-washed Odysseus, who bathes before and after each of his colorful journeys, to Shaw's Eliza Doolittle, who screams in terror during her first hot bath. The ancient Romans considered cleanliness a social virtue, and Jews practiced ritual purity laws involving immersion in water. Abandoning Jewish practice, early Christians viewed bathing as a form of hedonism; they embraced saints like Godric, who, to mortify the flesh, walked from England to Jerusalem without washing or changing his clothes. Yet the Crusaders imported communal Turkish baths to medieval Europe. From the 14th to 18th centuries, kings and peasants shunned water because they thought it spread bubonic plague, and Louis XIV cleaned up by donning a fresh linen shirt. Americans, writes Ashenburg, were as filthy as their European cousins before the Civil War, but the Union's success in controlling disease through hygiene convinced its citizens that cleanliness was progressive and patriotic. Brimming with lively anecdotes, this well-researched, smartly paced and endearing history of Western cleanliness holds a welcome mirror up to our intimate selves, revealing deep-seated desires and fears spanning 2000-plus years. 82 b&w illus. (Nov. 15)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School—This is a fascinating examination of the changing notions of what it means to be clean, and how those concepts fit into the worldview of different societies. The book is especially valuable for exploring the daily lives of people in past societies, but also for providing perspective on our attitudes toward ourselves, our bodies, and our world. It begins with the communal baths of the Greeks and Romans and explores the religious and ritual aspects of bathing, including Christian baptism. The public bath returned with the Crusaders, who brought the custom back to Europe in the form of the Turkish bath. With the plague and fears of communicable diseases, people avoided water-which they feared made the body vulnerable-in favor of linen cloth, which could be changed regularly, in lieu of bathing. Fear of immersing the body in water continued into the 20th century. Ashenburg, who uses interesting quotes from contemporaries to illustrate her history, speculates that in the future, when water shortages dictate new concepts of cleanliness, our own day may be seen as an age of excessive bathing and deodorizing.—Tom Holmes, King Middle School, Berkeley, CA
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Brimming with lively anecdotes, this well-researched, smartly paced and endearing history of Western cleanliness holds a welcome mirror up to our intimate selves, revealing deep-seated desires and fears spanning 2000-plus years."
—Publishers' Weekly

“In clear and straightforward prose, Ashenburg condenses a vast amount of information into smooth chapters. . . . She includes many quirky tidbits of cultural history, such as the role played by bathing in Eliza Doolittle’s transformation from Cockney flower-seller to fair lady and the appearance in the 1930s of vaguely menacing magazine ads that threatened women with spinsterhood if they dared let their breath or armpits smell.. . . . Dozens of charming illustrations distinguish a book notable for its engaging design as well as its illuminating content.”
–Kirkus Reviews

Praise for The Mourner’s Dance:

“Moving, exotic, outrageous. . . . A serendipitous tour of anthropology, cultural history, psychology and personal reflection. . . . It’s a pleasure to accompany Ashenburg.”
—The Globe and Mail

“An intricate tapestry that maps out the emotional landscape of grief. . . . A richly informative and compassionate book.”
—The Vancouver Sun

“Elegantly written. . . . The Mourner’s Dance–learned, often moving and even consoling–is a superb survey.”
—Maclean’s


From the Hardcover edition.

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0 of 0 people found the following review helpful.
A fun and informative read
By Carol A. Strickland
I hated to see this book end. The text is presented in a breezy, very readable fashion and there are any number of curious illustrations to peruse. I learned so much about historical Western cleanliness that I may never read another historical romance! I mean, ew, they didn't even wash their hands at some points!

It would have been nice to get a non-Western history as well, but that could well be saved for another book and/or author. As it is, I'd recommend this book for curious people as well as writers (and readers) of historicals. And for those who are worried that perhaps they're missing being completely clean in today's �ber-fastidious America. (btw, I'm going to steal "Nacirema" for one of my novels. Too bizarre!)

Loved it! Commented all over Facebook about it. It's going on one of my "keeper" shelves.

0 of 0 people found the following review helpful.
Entertaining exploration of why we're clean
By Tracy O'Neill
This is an interesting and informative book on how people believed they were clean, leading up to how we associate with cleanliness today. I found myself laughing out loud at times.

0 of 0 people found the following review helpful.
Interesting book about the way people viewed dirt
By JenC0529
Super interesting! I have read and reread this book. It's very interesting to learn how people viewed cleanliness throughout history. It's a part of history not written about much.

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[K255.Ebook] Download PDF Introducing Qualitative Research In Psychology, by Carla Willig

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This vital student resource takes six different approaches to qualitative methods and discusses the techniques to use these in research.

• Sales Rank: #684707 in eBooks
• Published on: 2013-05-01
• Released on: 2013-05-01
• Format: Kindle eBook

About the Author
Professor Carla Willig graduated from the University of Manchester in 1986. She then embarked upon postgraduate studies at the University of Cambridge where she was awarded an MPhil in Criminology in 1987. She stayed at Cambridge in order to conduct her doctoral research into the 'Social Construction of AIDS Knowledge' which she completed in 1991. Professor Willig has held teaching positions at the University of Plymouth (1991-3) Middlesex University (1993-9) and City University London (1999 onwards). From 2001, she undertook additional training at Regents College, London, and qualified as an Existential Counselling Psychologist in 2005.

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One Star
By Sindre Worren
Worst book I have read in the field of psychology.

0 of 1 people found the following review helpful.
Five Stars
By Aubrey H.
Great book to get you oriented to qualitative research

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